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Fuse Music Review: Mount Moriah — Hard to Classify But Superb at Café 939

March 27, 2013
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Is it country? Is it rock? When it’s good, is there really a difference?

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Film Interview: Director Jane Gillooly on Sex, Lies, and Audiotape

March 26, 2013
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This unique and carefully constructed impressionistic narrative encourages viewers to free-associate, assess, and imagine the romantic relationship through the filter of their own memories and experiences.

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Concert Review: Boston Musica Viva’s Satisfying “Role-Play”

March 26, 2013
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Boston Musica Viva presented an invigorating (if early) conclusion to the season, providing an ear-catching snapshot of chamber music written in the last thirty-plus years.

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Fuse Concert Review: Michelle DeYoung and the Boston Symphony Orchestra/Daniele Gatti

March 25, 2013
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Daniele Gatti’s management of the orchestra – the unfolding of melodic lines and instrumental textures – was particularly noteworthy, matched here with a keen sensitivity to the music’s expressive detail: this was a riveting performance.

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Short Fuse: The Art of Charles Krafft — Nazism in Modern Drag?

March 25, 2013
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It’s not a simple story. It’s a story about dreadful ideas, hideous politics and their interaction with art and aesthetic judgment.

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Help The Arts Fuse Take Flight — On the Top of Taxi Cabs

March 25, 2013
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With your help, The Arts Fuse will launch its first-ever advertising campaign atop taxi cabs this spring. We want to encourage Greater Boston’s arts and cultural communities to see the artsfuse.org as an indispensable resource.

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Film Review: American Iconoclast — Harmony Korine and “Spring Breakers”

March 24, 2013
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This new commercially distributed movie gives writer/director Harmony Korine an opportunity to create a vision of decadence that wallows with cartoon glee in a libidinous pop culture wonderland.

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Jazz Concert Review: The Charles Lloyd New Quartet — Of Sound and Silence

March 22, 2013
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It turns out that it was more than just a rumor that saxophonist Charles Lloyd spent some of the ’70s playing with The Beach Boys.

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Theater Review: The Wages of Guilt — The Shocking Relevance of “Operation Epsilon”

March 22, 2013
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Are those who merely stand and watch as guilty as those who drop the bombs, pull the triggers, or run the trains? The question is no less relevant today than more than sixty years ago.

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Classical CD Reviews: Gloria Cheng’s The Edge of Light, Matthias Goerne’s Erlkönig, and Emmanuelle Bertrand plays Shostakovich

March 21, 2013
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The winter doldrums may be upon us, but the first few months of 2013 have been anything but uninteresting when it comes to releases from Harmonia Mundi (HM).

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