Tim Jackson
As Judy Garland, Renée Zellweger is in a movie that doesn’t match her fine performance.
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Why has Downton Abbey, the film and the series, been so successful? We are given a romanticized vision of essential ‘Britishness,’ a nostalgic version of the class system.
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Under the Silver Lake would be infuriating were its Charlie Kaufman-inspired adventures not so entertaining.
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This is a perfect guilty pleasure, an old fashioned B-movie without a franchise, explosions, overly recognizable actors, or exhausting mano a mano violence.
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Finding independent films that may or may not receive wider distribution, as well as talking to filmmakers anxious to answer questions about their work, are great reasons to travel to the Provincetown Film Festival.
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The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
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This screening of Carl Dreyer’s classic film will offer some exceptional, and exciting, musical strengths.
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In Photograph, embracing your roots can nurture love — in very unexpected ways.
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The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.
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Us is a comic-horror allegory about the revolution of the underclass.
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