Tim Jackson
Films about relationships are often the best offerings in the Provincetown Film Festival, and several of the narrative films at this year’s go-around were about seeking connection.
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Chronicling Gene Krupa’s ups and downs and registering his impact on contemporary music, Master of the Drums is a well-deserved account of one of the key musical artists of the past century.
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An independent film festival presents works that expose audiences to diverse voices, to alternative political and social points of view, and to different ways of understanding the world.
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For fans of director Stanley Kubrick, this enhanced biography may be the most thorough and readable volume on one of the cinema’s most profound seers.
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Heartwarming themes of love lost and the emotional power of music are undercut by a script constructed for the sake of dramatizing ideas rather than characters.
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Director/actress Paola Cortellesi’s “There’s Still Tomorrow” is yet another bold cinematic plea for women’s rights.
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“V66 is a piece of broadcast history that a lot of people don’t know about. I’m proud to be the person to tell its story.”
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It is a shame that international film festivals cannot be made accessible to wider audiences, but the trend toward online gatherings, such as the Online French Film Festival, is a good start.
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Focusing on the years between 1961 and 1964, director James Mangold turns Bob Dylan’s creative journey into a better-than-average cinematic biography in which the singer ends up riding off on his motorcycle and into history.
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Both Stereophonic and Babemake compelling drama out of the volatile world of pop music-making.
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