Susan Miron
From beginning to end, this was a magical concert: beauty, poetry, and yes, unbelievable chops.
Pianist Beatrice Rana has a particular talent for building a line in ways that are both exactingly dynamic and robustly emotional.
More proof that, with pianist Igor Levit, Beethoven had found new interpreter, not only worthy, but important.
Christian Tetzlaff’s recital was a breathtaking experience, full of dancelike grace, intelligence, and charm.
I feel that I have lost a dear friend whom I met through profoundly heartfelt recordings and, in the form of interviews, inspiring self-portraits.
Two brilliant Israeli pianists have released exceptional musical offerings.
Writer András Koerner has dedicated himself, lovingly and brilliantly, to assiduously reconstruct the lives of ordinary Jews in Hungary before the Shoah.
It was as if the pianists were performing in a small drawing room for a few friends, not at Jordan Hall.
Storytelling is big business in concert halls these days, and as a yarn spinner Sarah Walker is in a class her own.
Alan Rosen’s book thoughtfully illuminates the perilous calendrical devotion of Jews during the Holocaust, seeing it as a form of resistance.
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