Sarah Osman
Sanitized as it is, “Red, White & Royal Blue” is a sign of progress — a queer rom-com has finally entered the fairy-tale film canon.
All this alarming information about our food is a call to action, but “Poisoned” plays it safe by not offering any pragmatic directives or posing an activist vision.
>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
The Out-Laws is another mild diversion spat out of Adam Sandler’s Happy Madison factory.
“The Horror of Dolores Roach” is a captivating mixture of horror, suspense, and comedy that proves we haven’t come all that far from the class-fueled injustices of Victorian England.
Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.
In this superb documentary about the experience of trans women in Manhattan. It’s beautiful to see how a powerful sisterhood was created and sustained.
We have the satisfying conclusion to a series that proved episodic dramas can — in fact, should — grow in depth past their first season.
Vivid descriptions of the oppression activists fighting for democracy in Hong Kong have faced – and continue to – elevates this novel above the usual YA bromides.
em>Realistic storylines ground Platonic‘s comedy in recognizable trials and tribulations — and usefully steers it away from the tired can men-and-women-be-buddies debate.
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