Sarah Osman
Watching Cassandro become the “Liberace of Luchadors” is enthralling in itself, but we are also given the drama of seeing the protagonist wrestle with his own personal demons.
I’m happy to add the brujas of “A Tall Dark Magic” to my own personal spell book featuring the names of the witches I love.
The horndog plot of this wild comedy: two unpopular queer high school students start a fight club to have sex before graduation
The fact is that “Love in Taipei”’s appeal principally lies in Taipei itself: the film doubles as an extended advertisement for the city.
Sanitized as it is, “Red, White & Royal Blue” is a sign of progress — a queer rom-com has finally entered the fairy-tale film canon.
All this alarming information about our food is a call to action, but “Poisoned” plays it safe by not offering any pragmatic directives or posing an activist vision.
>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
The Out-Laws is another mild diversion spat out of Adam Sandler’s Happy Madison factory.
“The Horror of Dolores Roach” is a captivating mixture of horror, suspense, and comedy that proves we haven’t come all that far from the class-fueled injustices of Victorian England.
Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.
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