Sarah Osman
The horndog plot of this wild comedy: two unpopular queer high school students start a fight club to have sex before graduation
The fact is that “Love in Taipei”’s appeal principally lies in Taipei itself: the film doubles as an extended advertisement for the city.
Sanitized as it is, “Red, White & Royal Blue” is a sign of progress — a queer rom-com has finally entered the fairy-tale film canon.
All this alarming information about our food is a call to action, but “Poisoned” plays it safe by not offering any pragmatic directives or posing an activist vision.
>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
The Out-Laws is another mild diversion spat out of Adam Sandler’s Happy Madison factory.
“The Horror of Dolores Roach” is a captivating mixture of horror, suspense, and comedy that proves we haven’t come all that far from the class-fueled injustices of Victorian England.
Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.
In this superb documentary about the experience of trans women in Manhattan. It’s beautiful to see how a powerful sisterhood was created and sustained.
We have the satisfying conclusion to a series that proved episodic dramas can — in fact, should — grow in depth past their first season.
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