Sarah Osman
The current state of Hollywood — terminal banality — is concerning. But that’s what makes it so perfect for a dose of acidic satire.
The fourth and final season of Danny McBride’s demented comedy comes to a satisfying conclusion.
With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
“Fable for the End of the World” reflects our own uncertain condition — there are possibilities unknown, alternatives that even would-be godlings like Elon Musk and his ilk have not accounted for.
Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
Let’s hope that “The Last Showgirl” launches a new phase in Pam Anderson’s career.
It’s wonderful to see the cinema do justice to the magic of this beloved musical.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises