Sarah Osman
Despite its title, this YA novel would be best described as an exercise in magic realist satire. Those looking for heaping helpings of the affluent will be disappointed.
This Netflix series is a wittier, sassier, Spanish version of “Bridgerton”.
The current state of Hollywood — terminal banality — is concerning. But that’s what makes it so perfect for a dose of acidic satire.
The fourth and final season of Danny McBride’s demented comedy comes to a satisfying conclusion.
With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
“Fable for the End of the World” reflects our own uncertain condition — there are possibilities unknown, alternatives that even would-be godlings like Elon Musk and his ilk have not accounted for.
Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
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