Sarah Osman
By focusing on just a few households, rather than surveying all the available examples, this documentary succeeds at its essential (and valuable) goal — to humanize its subjects.
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The series’s fierce satiric take down of America’s enlightened white elite is brilliant.
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Goosebumps is pretty much a failure as a series because it lacks most of R.L. Stine’s entertaining alchemy.
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Despite a slow first half, “The Devil on Trial” picks up speed and suggests that the truth can be more infuriating than fiction.
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Watching Cassandro become the “Liberace of Luchadors” is enthralling in itself, but we are also given the drama of seeing the protagonist wrestle with his own personal demons.
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I’m happy to add the brujas of “A Tall Dark Magic” to my own personal spell book featuring the names of the witches I love.
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The horndog plot of this wild comedy: two unpopular queer high school students start a fight club to have sex before graduation
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The fact is that “Love in Taipei”’s appeal principally lies in Taipei itself: the film doubles as an extended advertisement for the city.
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Sanitized as it is, “Red, White & Royal Blue” is a sign of progress — a queer rom-com has finally entered the fairy-tale film canon.
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All this alarming information about our food is a call to action, but “Poisoned” plays it safe by not offering any pragmatic directives or posing an activist vision.
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Arts Remembrance: In Memoriam — Tom Stoppard