Peter Walsh
Mary Lee Bendolph’s designs are stunning works of contemporary design, lacking any taint of provincialism, with as much visual sophistication as you would find in any New York gallery.
Read MoreThe delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
Read MoreThere are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
Read MoreNothing of value, it seems, was out of the reach of J. Pierpont Morgan’s acquisitive grasp.
Read MoreThe premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists
Read MoreIn Van Gogh and Nature, human beings play a supporting role. Sometimes moths, butterflies, and poppies are the stars.
Read MoreIn Arlene Shechet’s mischievous hands, the medium’s power as a shape shifter runs wild.
Read MoreWalking, the deCordova’s fascinating and wonderfully worked out exhibition suggests, is deeply subversive of the status quo.
Read MoreWhile American art grew bolder, larger, louder, and more ironic, David Aronson was mystical, introspective, and poetic.
Read MoreBiographer Annie Cohen-Solal is perhaps strongest on one thread of Mark Rothko’s narrative: his experience as a Jewish immigrant.
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