Peter Keough
A giddily inventive, surreally hilarious, and sometimes profound debut novel.
This alternately ecstatic and murky, pointed and obscure, allegory is a rare attempt to confront the pathological systems leading us to an uncertain fate.
There’s bad news and good news at the Woods Hole Film Festival.
The Museum of Fine Arts screens some ripples from the New Wave.
In her new documentary about the crises in Brazilian democracy, Petra Costa examines a factor involved in the election of Jair Bolsonaro that was largely overlooked in the first film — the toxic power of the evangelical movement.
This is an auspicious feature debut, a doomsday thriller that touches on resonant topical issues.
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