Nicole Veneto
Jumbo is one of the most magically affecting and visually enthralling romances I’ve seen in quite some time
A Glitch in the Matrix is nowhere near as unhinged as a Dinesh D’Souza “documentary,” but it’s mentally taxing to watch so many people describe the real world like it’s Minecraft.
This film offers a much more nuanced and self-reflective conversation about authorship, authenticity, creative inspiration, and the role of film criticism than any of its detractors are willing to admit.
“Everybody in this industry right now is looking for like, female beards to rescue them, but that’s not what we’re here for.”
I Blame Society may put off some enlightened neoliberals, but it is a fun little B-movie with killer insight and attitude to spare.
A B-movie inspired horror-comedy, Psycho Goreman is a delightfully schlocky homage to entry-level, kid-centric horror films but with the sort of grotesque violence one would expect from a more adult-oriented movie.
Pieces of a Woman is an affecting film about the depths of mourning highlighted by Vanessa Kirby’s gut-wrenching lead performance.
I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary.
In its efforts to subvert well-known tropes, and reclaim the subgenre’s feminist cultural potency, Promising Young Woman undercuts its own transgressive potential by doing away with what makes rape-revenge films compelling.
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