Nicole Veneto
A Glitch in the Matrix is nowhere near as unhinged as a Dinesh D’Souza “documentary,” but it’s mentally taxing to watch so many people describe the real world like it’s Minecraft.
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This film offers a much more nuanced and self-reflective conversation about authorship, authenticity, creative inspiration, and the role of film criticism than any of its detractors are willing to admit.
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“Everybody in this industry right now is looking for like, female beards to rescue them, but that’s not what we’re here for.”
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I Blame Society may put off some enlightened neoliberals, but it is a fun little B-movie with killer insight and attitude to spare.
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A B-movie inspired horror-comedy, Psycho Goreman is a delightfully schlocky homage to entry-level, kid-centric horror films but with the sort of grotesque violence one would expect from a more adult-oriented movie.
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Pieces of a Woman is an affecting film about the depths of mourning highlighted by Vanessa Kirby’s gut-wrenching lead performance.
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I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary.
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In its efforts to subvert well-known tropes, and reclaim the subgenre’s feminist cultural potency, Promising Young Woman undercuts its own transgressive potential by doing away with what makes rape-revenge films compelling.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski