Michael Strand
In her insightful commentaries and art, Hana Miletić demonstrates how labor and materiality reflect subtexts of power, ranging from the “soft” to the “hard.”
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Among the usual suspects and idiosyncratic specimens, a handful of landscape paintings, prosaic portraits, and transcendent abstract works defy watercolor’s association with lightheartedness.
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It’s no wonder poets have been drawn to write about Guyer and Twombly’s work. We are carried away by an art that is always immediate, hic et nunc, but elsewhere too.
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