Jonathan Blumhofer
Mitsuko Uchida is quite possibly the finest Mozart pianist around today, at least among non-period specialists.
Read MoreSometimes new music isn’t really new and old music isn’t actually old; the best of it exists on some other plane entirely.
Read MoreA welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.
Read MoreFor terrific viola playing and some fresh repertoire by familiar names, look no further than Antoine Tamestit’s Bel Canto.
Read MoreHyperion builds a CD around a superb performance of Amy Beach’s magnificent Piano Concerto.
Read MoreNo orchestra in this country embraces the challenges of Charles Wuorinen’s hyper-intellectual style better than the Boston Symphony Orchestra.
Read MoreThere have been lots of recordings of Philip Glass to hit the market recently. One of the highlights is Víkingur Ólafsson’s Piano Works.
Read MoreThis invigorating, sometimes unpredictable, Beethoven-heavy program certainly offered its share of athleticism and energy.
Read MoreVasily Petrenko and the Royal Liverpool Philharmonic Orchestra serve up some curious and, from time to time, rather languorous Elgar.
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Music Commentary: Thoughts on the Boston Symphony Orchestra’s 2017-18 Season
On paper, at least, the upcoming season of the BSO is a bit of a letdown: cautious, unthreatening, comfortable.
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