Jim Kates

Theater Review: “Morning’s at Seven” — Ensemble Excellence

July 18, 2019
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This production of Morning’s at Seven is a celebration of Peterborough’s theatrical family as much as it is the depiction of a fictional one.,/em>

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Theater Review: “Gertrude Stein and a Companion” — A Satisfying Dramatic Fusion

July 4, 2019
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In two short acts, playwright Win Wells depicts not so much a relationship as a fusion, a merging of identities into one single, complex personality.

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Theater Review: “Mahida’s Extra Key to Heaven” — Conversation as an Act of Healing

June 20, 2019
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Written more than a decade ago, Mahida’s Extra Key to Heaven falls all too painfully closely in line with current events.

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Theater Review: “Sexy Laundry” — Cycling Through

August 30, 2018
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Sexy Laundry airs the linen of a twenty-five-year marriage from which the colors seem to have faded, and the whites yellowed.

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Theater Review: “The Man of Destiny” — A Shavian McGuffin

August 16, 2018
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George Bernard Shaw’s The Man of Destiny could be an evening of delight with a frisson of cerebral exercise.

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Theater Review: “An Inspector Calls” — Sobering Morality Play

July 19, 2018
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An Inspector Calls speaks with ease to our own times, bedeviled with “alternate facts” and ethical doubts.

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Theater Review: “The Skin of Our Teeth” — As Dark as the Daily News

July 4, 2018
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Thornton Wilder’s Big Ideas do not get lost in the hurly-burly of this production.

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Theater Review: Peterborough Players’s “Ripcord” — Arguing for a Full Life

February 17, 2018
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David Lindsay-Abaire’s tightly woven comic script celebrates the everyday relationships that make up an argument for a full life.

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Theater Review: “Every Brilliant Thing” — Two Cheers for Solipsism

February 4, 2018
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A manipulative entertainment that sets out to confuse theater and therapy.

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Poetry Review: The Golden Age of Russian Poetry — Revisited

December 14, 2017
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Here, then, are two books that provide a fine literary introduction to one of the richest flowerings of poetry in European culture.

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