Ian Thal
This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
Membership in academe comes down to those who never wanted to leave the comforts of college or those who see it as a launching pad for scoring big bucks.
The New Repertory Theatre is paying homage to Arthur Miller’s centennial with a superb staging of one of the dramatist’s later works, Broken Glass.
The Winter’s Tale‘s odd structure and hybrid genre is a challenge to modern directors and audiences alike.
What sets Double Edge Theatre apart from other troupes is that it has always forged an intimate link between the world of physical theater and the world of literature and ideas.
The script’s suggestion of mythological violence elevates Eyes Shut. Door Open. above the formulaic “dark domestic secrets revealed at a family reunion” plot line.
Federico García Lorca’s Blood Wedding remains edgier than most American fare in this century.
In truth, Three is not much of a play at all, but an anthology of “very special episodes” of an unproduced television or web series.
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