Gerald Peary
The Fallen Idol is one of the best achieved examples in cinema of seeing the world through the eyes of a child.
In no way does Sweetbitter succeed in doing what you are led to expect of it: to frame the post-9/11 zeitgeist.
The documentary Dark Horse is all cliché and yet it’s OK.
What fun to have meat carved off the revolving spit!
I appreciate the effort to bring back this rarely seen early Godard. But there are reasons this movie hasn’t been previously revived.
If Owen Gleiberman has any complaint against today’s world of criticism it’s that everyone seems to be speaking in one voice.
I was finally won over in the last act, when Everybody Wants Some! turns a little emotional, a little “girly.”
The really unforgivable thing about City of Gold: the dull, flat way in which the food is shown.
The Obamas coming to speak was a rowdy “FU” from the progressive-minded Fest to the rest of Ted Cruz Texas.
It’s easy to understand the lure of this historic walled city on the Caribbean.
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