Gerald Peary
In 1957’s Pal Joey, Rita Hayworth makes an indelible impression as a screen siren, as sexy as in her ’40s heyday.
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I made a pledge last week to compromise my movie going, and in a silly, humiliating way.
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Womanizing Astaire grasps that Rita is the loveliest catch of all, and a keeper, in this musical treat.
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Tony Zierra’s film is a worthy and interesting one, but I admit to becoming worn down by the endless litany of unglamorous ways that protagonist Leon Vitali worked his butt off for the genius filmmaker.
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Let the Sunshine In is French filmmaker Claire Denis’s one-note ode to the power of love even when, in this case, love stinks like dead fish.
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Claire’s Camera is enjoyable and charming, but it’s definitely minor Hong, made on a lark at Cannes.
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Red Sparrow isn’t great in any way, but, at two hours and twenty minutes, we do get our money’s worth of old-school genre entertainment.
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The film becomes a made-for-TV trial melodrama, with actors delivering oratorical speeches and the plot spinning several times with contrived, made-to-shock revelations.
Read MoreCould Dorothy Malone be the only person in the world to have dated both Sinatra and Liberace?
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