Arts Fuse Editor
Many of the poems live up to the title’s shout-out to Walt Whitman, cutting through the current political miasma with fresh wit, insight, and lyrical outrage.
This is the largest exhibition of Botticelli paintings ever mounted in North America. Bigger may not always be better, but this is a gorgeous show.
Dancer/choreographer Maureen Fleming’s highly distinctive style of movement is unforgettable.
Margaret Atwood’s novel turns out to have been far more clairvoyant than even she believed it would be.
IRNE critics argue about what we think are the best, the brightest, and the most award worthy of these dozens and dozens of productions.
Sara Baume’s sophomore novel insists that we rethink the value of empathy: depend on it, yes, but also be suspicious.
There are documentary films for all tastes this year.
Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.
While calling this Ben Wheatley’s most violent film may be debatable, Free Fire is absolutely the one most riddled with gunshots.
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