Arts Fuse Editor
A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
This Sleeping Beauty teaches the audience that fussy costumes and wigs and long-winded storytelling are the apex of ballet.
Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
My 80-Year-Old Boyfriend is a joyous delight, an irresistible reminder that time flies.
This thoroughly cockamamy world offers the kind of guilty pleasure that you hope never ends.
Alannah Hopkin demonstrates a near impeccable sense of craft, including a talent for coming up with surprises.
Many of the poems live up to the title’s shout-out to Walt Whitman, cutting through the current political miasma with fresh wit, insight, and lyrical outrage.
This is the largest exhibition of Botticelli paintings ever mounted in North America. Bigger may not always be better, but this is a gorgeous show.
Dancer/choreographer Maureen Fleming’s highly distinctive style of movement is unforgettable.
Margaret Atwood’s novel turns out to have been far more clairvoyant than even she believed it would be.
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