Arts Fuse Editor
Technology-driven horror narratives are ubiquitous these days: Red Rose has an authentic look that makes its creepiness distressingly plausible.
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Here’s this week’s poem, “Time” by Nicole Callihan.
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More popular than The Beggar’s Opera, J. F. Lampe’s goofy opera of 1737 receives its first complete recording, and the performance is splendidly, subtly humorous.
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Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
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Two campus structures and one downtown office building speak a new visual language.
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One of the true masters of jazz, Wayne Shorter, passed away during the early hours of March 2. Our writers quickly gathered to express their appreciations of Shorter’s innovations and his long life of constant creativity.
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The Quiet Girl is the first Irish language nominee for the Best International Feature Oscar, and it’s not hard to see why this subdued gem of a film is capturing hearts.
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The populations in former Soviet Socialist Republics and current NATO members Latvia, Lithuania, and Estonia know all too well what it’s like to live under Russian subjugation as is seen in a trio of trenchant and timely documentaries.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Rock Remembrance: David Lindley, A Splendidly Cavalier Spirit
Electric guitar, bouzouki, mandolin, saz, oud, Hawaiian guitar, lap steel, fiddle, cittern; if it could be plucked, strummed or bowed, odds are Mr. Dave played it and played it well.
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