Arts Fuse Editor
For an hour and a half, Blu examines himself on Miles, trying to understand who he is and where he comes from.
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Filmgoers hankering for some excellent and exciting new documentary features and shorts should check out the Salem Film Festival, which has gone online.
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The parallel plot — maybe the real plot — percolates just below the surface: the meta-textual challenge of figuring out how the HBO Perry Mason will morph into something resembling its CBS progenitor.
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What makes this somewhat derivative movie soar is its music.
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Ah, Florida, “the grease trap under America’s George Foreman Grill”: not just “weird America,” also “impending America.”
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Cloud Nothings’ latest effort is less muscular than their previous work, but it still contains its fair share of hooky bliss.
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Gimme Radio brings the human element to streaming by relying on DJs to curate playlists and provide context to what listeners are experiencing.
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Every piece here seems to play by its own rhythmic rules, and yet nowhere does the music sound academic or formal.
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Freed from the pressures of recording for a major label, Kacy Hill has created an album that feels surprisingly personal.
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If the first set was all about reminding us the breadth and depth of the talent in Billy Strings’ combo, the second set was all about dynamics and power.
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