Arts Fuse Editor
The Cameraman is the hilarious capstone to a glorious period that began for Buster Keaton in the late teens.
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This splendid world-premiere recording proves that, as an opera composer, Johann Simon Mayr had “the whole package.”
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In Supernova, nuance rules: Stanley Tucci and Colin Firth bring a naturalistic grace to the voice and energy of their aging characters
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Daniel Tiger’s Neighborhood has become one of our central gospels of child-rearing.
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This history of union activity among white-collar workers in New York City tells an illuminating story about creative labor’s effort to be treated with respect by the powerful.
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Boston’s Fred Taylor was by turns (and often simultaneously) a recording engineer, promo man, artist manager, talent scout, press agent, newspaper columnist, concert promoter, club manager, nightclub owner, restaurant, and movie house owner.
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This is a well-rounded session of disciplined, well-crafted composing and soloing, with established and up-and-coming players mixing it up with style and commitment.
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Though the cast is generally excellent, Stephen King’s characters are often at the mercy of wrongheaded writing or needlessly flashy special effects.
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Steeped in technology, non-traditional public art is about sparking conversations about visuals as well as playing with contemporary aesthetic perspectives.
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Burning the Books sometimes turns into a disturbing chronicle of mankind’s elemental hostility to learning: barbarians often first targeted libraries and archives.
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