Charles Giuliano
For MOMIX’S performance at Jacob’s Pillow, Moses Pendelton assembled a “greatest hits” selection of sixteen vignettes from the troupe’s oeuvre.
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At the Pillow, the wonderful Social Tango Project brought the form back to its political and aesthetic origins: it is a dance designed to unify and uplift participants and audiences.
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Considering that none of Guillaume Guillon-Lethière’s history is familiar, absorbing this scholarly exhibition, which is accompanied by extensive labels and wall texts, is demanding.
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It is ironic — but understandable — that 50 years ago only a handful of people experienced what has become one of the iconic happenings of 20th century art.
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On the occasion of the 160th anniversary of the Emancipation Proclamation, seven Black artists were asked to respond to the theme of emancipation.
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Plan to linger over every moment of this revelatory, diverse, and understated special exhibition.
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While the experience is new and otherworldly, it was daunting to realize that it had taken over a decade for Compagnie Käfig’s exercise in cutting-edge art and technology to reach the hinterland of Jacob’s Pillow.
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The two vintage works on the program at Jacob’s Pillow demonstrated, in a palpable manner, to what extent Martha Graham’s work changed everything.
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This enormously talented company delivered a total assault on the senses at Jacob’s Pillow.
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Now fifty years old, a venerable landmark, in what ways does hip hop stay put or embrace evolution and change?
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Arts Remembrance: To Sérgio with Love — Sérgio Mendes, 1941–2024