Charles Giuliano
For MOMIX’S performance at Jacob’s Pillow, Moses Pendelton assembled a “greatest hits” selection of sixteen vignettes from the troupe’s oeuvre.
At the Pillow, the wonderful Social Tango Project brought the form back to its political and aesthetic origins: it is a dance designed to unify and uplift participants and audiences.
Considering that none of Guillaume Guillon-Lethière’s history is familiar, absorbing this scholarly exhibition, which is accompanied by extensive labels and wall texts, is demanding.
It is ironic — but understandable — that 50 years ago only a handful of people experienced what has become one of the iconic happenings of 20th century art.
On the occasion of the 160th anniversary of the Emancipation Proclamation, seven Black artists were asked to respond to the theme of emancipation.
Plan to linger over every moment of this revelatory, diverse, and understated special exhibition.
While the experience is new and otherworldly, it was daunting to realize that it had taken over a decade for Compagnie Käfig’s exercise in cutting-edge art and technology to reach the hinterland of Jacob’s Pillow.
The two vintage works on the program at Jacob’s Pillow demonstrated, in a palpable manner, to what extent Martha Graham’s work changed everything.
This enormously talented company delivered a total assault on the senses at Jacob’s Pillow.
Now fifty years old, a venerable landmark, in what ways does hip hop stay put or embrace evolution and change?
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