Bill Marx
Poetry’s secret, it seems to me, consists of two ingredients: a love of this world and a curiosity about metaphysics. – Durs Grünbein, The Bars of Atlantis I resist the idea that books for the beach have to go down as easy as piña coladas. My eccentric and eclectic list of fiction and non-fiction in…
Read MoreAs a theatrical event, The American Stage anthology would have to be classified as a rousing vaudeville show: there are literary routines for all brows—high, middle, and low. The American Stage: Writings on Theater from Washington Irving to Tony Kushner, edited by Laurence Senelick, Library of America, 867 pages, $40. By Bill Marx “There is…
Read MorePerhaps the inspirational cliches, by-the-numbers storyline, and fan cartoon hijinks are what’s expected in a baseball musical. Johnny Baseball, Music by Robert Reale, Lyrics by Willie Reale, Book by Richard Dresser. Story by Dresser and Reale. Directed by Diane Paulus. Staged by the American Repertory Theater at the Loeb Drama Center, Cambridge, MA, through July…
Read MoreAnd why [are] men bound beneath the heavens in a reptile form/ A worm of sixty winters creeping on the dusky ground? — Tiriel, William Blake Metropolis. Directed by Fritz Lang. Written by Lang and Thea Von Harbou. With Gustav Fröhlich, Brigitte Helm, Alfred Abel, Rudolf Klein-Rogge, Erwin Biswanger, Theodor Loos, Fritz Rasp, and Heinrich…
Read MoreBy Bill Marx Summer has never been a time for theaters taking chances and the sluggish economy only encourages the hot weather drift to safety. But there’s some funky activity around the margins as well as encouraging news about Shakespeare & Company’s finances. Also, the Gloucester Stage Company has forsaken last year’s geriatric lineup and…
Read MoreI have contributed a piece to The Public Humanist, a Mass Humanities blog posted on The Valley Advocate. It is a review of Martha C. Nussbaum’s new book (Not for Profit) , which argues that the arts and humanities are under threat because educational institutions, frightened by economic hard times, are moving toward a more…
Read More. . . these plays in their various modes approach the theater as a means of knowing and not merely as a means of expression. — Richard Gilman, “The Drama is Coming Now.” Disfarmer conceived, directed, and designed by Dan Hurlin. Original music by Dan Moses Scheier. Text by Sally Oswald. Part of the Emerging…
Read MoreAugust: Osage County by Tracy Letts. Directed by Anna D. Shapiro. The Steppenwolf Theatre Company production presented by Broadway Across America at the Colonial Theatre, Boston, MA, though May 9. Reviewed by Bill Marx “All happy families are alike, but every unhappy family is unhappy in its own way,” opined Leo Tolstoy sagely in Anna…
Read MoreBut in my arms until the break of day/ Let the living creature lie,/ Mortal, guilty, but to me/ The entirely beautiful. – W. H. Auden, Lullaby The Habit of Art by Alan Bennett. Directed by Nicholas Hytner. The National Theatre production presented by NTLive at the Coolidge Corner Cinema, Boston, MA, on April 22…
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