Bill Marx

Theater Review: “The Cocktail Hour” — A Pick-Me-Up for Waning WASPS

November 25, 2013
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With the 1% rapidly vacuuming up the resources of the upper and middle classes, A.R. Gurney’s comic vision of the tipsy idle rich, shorn of cares and criminality, floats completely free of reality.

Arts Fuse Year-End Fundraiser: Once More unto the Breach, Dear Friends, Once More

November 23, 2013
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Please send tax deductible dollars to “The Arts Fuse” so the magazine can continue to serve its mission — we need funds to pay our writers, to continue to grow our readership, and to raise our visibility around the region.

Theater Review: “The After-Dinner Joke” — How We are Out-Sourcing Our Consciences

November 15, 2013
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British dramatist Caryl Churchill proffers a valuable line of satiric attack on our delusions of doing good, so it is easy to forgive the dramatist her broad and scattershot comic approach.

Fuse Theater Review: Kurt Vonnegut Redux? Not in “Make Up Your Mind”

November 6, 2013
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Unfortunately, there are only flickers of Kurt Vonnegut’s dark and playful genius in “Make Up Your Mind.”

Theater Review: “The Power of Duff”? The Same Old Guff

October 27, 2013
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Whenever you hear greeting card bromides intoned with a straight face (it’s usually in scenes set in a hospital) you know that moral fuzziness isn’t far behind.

Book Review: Two Volumes of Swiss Horror for Halloween

October 14, 2013
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Interestingly, both of these powerful visions of horror root their avenging vision of mayhem in the brutal mistreatment of children.

Arts Commentary: David Koch, WGBH Trustee — The Real God of Carnage?

October 8, 2013
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The opportunity to protest the presence of Tea Party mega-funder David Koch on the board of WGBH this Wednesday should not be missed by anyone who is interested in preserving the soul (and/or sanity) of public broadcasting.

Fuse Interview: Ian Frazier on the Comic Genius of Ring Lardner

October 6, 2013
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Ring Lardner wrote the funniest stand-alone sentence using the fewest words with which that feat can be done: “‘Shut up,’ he explained.”

Theater Review: Not Quite “All The Way”

September 25, 2013
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Pulitzer prize-winning dramatist Robert Schenkkan is chained to a dreary, fact-driven approach in “All the Way,” tossing in bits and pieces of “what if” for unconvincing dramatic effect.

Author Interview: George Scialabba’s “For the Republic” — An Independent View

September 15, 2013
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George Scialabba is still outfoxing the professional eggheads in For the Republic, his third collection of essays on political and cultural topics.

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