Bill Marx
It is always a pleasure to see Ibsen on stage, but this production of one of his masterpieces is generally humdrum.
Revelatory reunions are a standard dramatic setup, which explains why it takes quite a while for “The Grove” to gather some theatrical steam.
This moving, at times beautiful, production evokes Michael K’s vision of purity, a rejection of collective cruelty and madness that asserts human dignity’s last stand — as an animal.
The Rabbis Go South tells the story of a little-known episode in the fight for desegregation: 16 rabbis were invited by Martin Luther King to be part of the 1964 civil rights march in St. Augustine, Florida.
A collection of quotes that have stung or sustained me over the past 12 months.
Our critics salute the year’s outstanding productions.
An eclectic round-up of the favorite books of the year from our critics.
Abigail C. Onwunali’s powerhouse performance is memorable, but the mechanics of Mfoniso Udofia’s play don’t always match the lead’s boundary-stretching strengths.
“Leopoldstadt” is one of Tom Stoppard’s most heartfelt and expansive works, its poignant storyline inspired by events in his own life.
Arts Commentary: Climate Crisis Cabaret — Marching Orders
Why did I help organize the Climate Crisis Cabaret? Because these are not normal times. And we need more theater like it.
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