Bill Marx
This moving, at times beautiful, production evokes Michael K’s vision of purity, a rejection of collective cruelty and madness that asserts human dignity’s last stand — as an animal.
The Rabbis Go South tells the story of a little-known episode in the fight for desegregation: 16 rabbis were invited by Martin Luther King to be part of the 1964 civil rights march in St. Augustine, Florida.
A collection of quotes that have stung or sustained me over the past 12 months.
Our critics salute the year’s outstanding productions.
An eclectic round-up of the favorite books of the year from our critics.
Abigail C. Onwunali’s powerhouse performance is memorable, but the mechanics of Mfoniso Udofia’s play don’t always match the lead’s boundary-stretching strengths.
“Leopoldstadt” is one of Tom Stoppard’s most heartfelt and expansive works, its poignant storyline inspired by events in his own life.
Cinematic in inspiration, Diane Paulus’s direction whips up terse bursts of adolescent energy, tapping into a cocky hunger for self-destructive combat.
“It’s not just some generic ‘evil’ “The Arsonists” protests, it is willful blindness to fascist and authoritarian agendas. Denial and hiding behind “bourgeois” comfort is the theme.”
A translator must meet a compelling need — to reinvent Franz Kafka’s voice in an English that resounds in the present moment.
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