Betsy Sherman

Film Review: “Call Me Lucky” — An Extraordinary Portrait of Satirist Barry Crimmins

August 21, 2015
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A labor of love that’s more than merely that, Call Me Lucky is one of the few great movies to come out so far this year.

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Film Review: Boston MFA’s French Film Festival — The Beautiful Idiosyncrasy of “P’tit Quinquin”

July 23, 2015
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The film proffers a winning combination of goofy humor and social critique.

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Film Review: “I’ll See You in My Dreams” — Highly Pleasurable

May 22, 2015
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Happily, Blythe Danner is the central figure in an immensely pleasurable indie film that blends the integrity of an art film with the cozy accessibility of the mainstream.

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Film Review: “Adult Beginners” — Learning the Same Old Lessons

April 24, 2015
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The comedy-tinged-with-drama touches on themes tackled by a bunch of recent indie movies that center on characters in their thirties and forties who feel like imposters in the world of adults.

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Film Review: At the IFFBoston — “H.” — Where Sci-Fi and Greek Mythology Mingle

April 23, 2015
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H. relies on clever editing manipulations and pithy reaction shots rather than on flashy special effects.

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Film Review: “Welcome to Leith” and “61 Bullets”

April 22, 2015
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Two powerful documentaries that explore the dark side of America, past and present.

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Film Homage: 1932’s “A Farewell to Arms” — A Perfect Movie for Valentine’s Day

February 12, 2015
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Oh, to be a lead character in a Borzage movie. You might expire during the final dissolve into “The End,” but man oh man, you will have loved. And you will have been loved.

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Film Review: “Mommy” — Motherhood at Hurricane Force

January 29, 2015
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Xavier Dolan’s up-close look at a mother-son relationship has the intensity of a John Cassavetes film — it can be gut-wrenching to watch.

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Film Review: Jon Stewart’s “Rosewater” — A Film of Skill and Passion

November 14, 2014
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Rosewater is a movie for the idealists, with the implied hope that a principled and conscientious mass media can give the new breed of technologically savvy activists a louder voice.

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Book Review: The Humanist Cinema of Taiwanese Director Hou Hsiao-hsien — Nothing But the Essential

October 5, 2014
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An exciting complement to the new book is a traveling retrospective of Hou Hsiao-hsien’s films, a rare opportunity to see 19 of the director’s movies shown on 35mm film: at Cambridge’s Harvard Film Archive through November 2.

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