Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
Huntington Theater Company
Yes, Ripcord is candied, but there’s just enough astringency blended in to make the sugar sufficiently tangy.
The effort to merge Deaf culture with the Book of Job becomes too much a burden for Craig Lucas’s family melodrama to bear.
August Wilson’s dramatized autobiography, thanks to the magnificent actor Eugene Lee, is a stirring experience.
Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
The Huntington Theatre Company is hosting an exemplary revival of Harold Pinter’s fascinating 1978 work, thanks to the spot-on direction of Maria Aitken.
A recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater. By Bill Marx Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the […]
By Bill Marx The coming month offers some unusual examples of theater. Finished with “exploding” Shakespeare, the American Repertory Theater has decided to present the American classics unabridged. Produced by the Elevator Repair Service, “Gatz” is an evening of drama that revolves around a complete reading of “The Great Gatsby” by F. Scott Fitzgerald. Political […]
By Bill Marx Somewhere an enterprising graduate student is working on a trenchant study of the correlation between holiday stage entertainment and the American economy. When things were looking bright and profitable the shows became cynical and comic, with mischievous elves placing whoopee cushions under our delusions of good cheer. Now that unemployment is high […]