World War II
Nobel laureate Patrick Modiano understands that time periods can mesh, interpenetrate, layer up, blend, and blur naturally in the mind.
Martin Amis’s fiction, bleak though it often is, paradoxically remains compelling and pleasurable to read because of how well he writes about dreadful things.
Fred Turner’s counterintuitive and subtle argument in The Democratic Surround draws a direct line between the design of museum exhibitions and the Be-Ins of the Summer of Love.
Everyone is a bit more stupid than they need to be in this movie, both the Germans and the Jews.
If George Clooney can rev up our righteous indignation decrying the barbarities of Joe McCarthy, why on earth couldn’t he become eloquent when it comes to talking about fighting to keep Hitler’s mitts off Michelangelo?
Ambitious, by turns captivating and exasperating, this sprawling book is like an enormous photomontage—that popular German art form of the 1920s—made up of textual mosaics from newspaper articles, diary entries, letters, novels, or, on occasion, FBI files.
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