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Will Lyman

Theater Review: A Gripping “Man in Snow” at the Gloucester Stage Company

Man in Snow encourages us to reflect on our own bit of mortality. We don’t probably take the time to do that enough.

By: Arts Fuse Editor Filed Under: Featured, Review, Theater Tagged: David Greenham, Gloucester Stage Company, Israel Horovitz, Man in Snow, Will Lyman

Theater Review: “Oh God” — An Audacious Israeli Comedy

Anat Gov’s play about wrestling with life and God is an outrageously provocative script that showcases the best of contemporary Israeli art.

By: Helen Epstein Filed Under: Featured, Review, Theater Tagged: Anat Gov, Chester Theatre Company, Culture Vulture, Guy Ben-Aharon, Israeli Stage, Maureen Keiller, Oh God, Will Lyman

Theater Review: “Oh God” – Psychoanalysis Saves The World!

Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Anat Gov, Guy Ben-Aharon, Israeli Stage, Maureen Keiller, Oh God, Will Lyman

Fuse News: 20th Annual IRNE Awards — A Celebration of Theatrical Excellence

Let no one accuse the Boston theater community of being moribund.

By: Robert Israel Filed Under: Fuse News Tagged: Barbara Meek, IRNE, The Independent Reviewers of New England, Theater Awards, Will Lyman

Theater Review: The CSC’s “King Lear” — The Deed Dutifully Done

For all of its sound and fury and smoke, the CSC’s version of King Lear is solid rather than surprising or exciting.

By: Bill Marx Filed Under: Featured, Review, Theater Tagged: Boston Common, Commonwealth-Shakespeare-Company, King Lear, Steven Maler, Will Lyman

Theater Review: “Ulysses On Bottles” — Floating More Questions Than Answers

Tragedy isn’t when evil triumphs, but when good becomes entangled in its own inevitable contradictions.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Arts Emerson, Gilad Evron, Guy Ben-Aharon, Israeli Stage, Jeremiah Kissel, Karen MacDonald, Ulysses on Bottles, Will Lyman

Theater Feature: Creating the Soundscape for “Long Day’s Journey Into Night”

Supplementing Eugene O’Neill’s high drama is a subtle score of music and sound created by Dewey Dellay, an Elliot Norton Award winner for Outstanding Design.

By: Tim Jackson Filed Under: Featured, Music, Theater Tagged: Eugene O'Neill, Karen MacDonald, Long Day's Journey into Night, New Repertory Theatre, Scott Edmiston, Will Lyman

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