The filmmakers use their story to point towards a way to help us navigate through our own polarization; it has something to do with each of us widening our perspective to take in more than just our immediate experience.
Some may think that the western-genre-turned-arthouse-gimmick has been played out, but Damsel‘s fresh energy and pioneering spirit offers redemption.
The Hateful Eight is Quentin Tarantino’s richly textured love letter to B movies.
Tommy Lee Jones’s The Homesman could have been an old-fashioned Hollywood Western. Thankfully, it isn’t.