ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
tragedy
Fuse Theater Review: Bedlam’s “Saint Joan” — Ferociously Relevant
The virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.
Theater Commentary: Happy 400th Birthday to Ben Jonson’s “Catiline: His Conspiracy”
Multiple Google searches suggest that no one is celebrating the 400th anniversary of the second of Ben Jonson’s tragedies. I don’t think I will live to see a production of CATILINE, but attention should be paid to this awkward but powerful script. Filled with moral strength, perceptive realpolitik, and rich poetry, it proffers a brilliant serio-comic meditation on political gangsterism.
Theater Review: Notes on Shakespeare as a Bare Bard
Two recent productions of Shakespeare, one a heralded London staging at the Donmar Warehous heading to New York in April, the other an Actors’ Shakespeare Project presentation in Davis Square, provide examples of the strengths and weaknesses of tackling the Bard without frills.
Coming Attractions in Theater: February 2011
A hold-onto-your seat month with some intriguing world premieres, including a musical version of a Korean folktale, an attempt to turn Aeschylus’s Prometheus Bound into a rock event, and a cerebral confab featuring Leonardo da Vinci, Michelangelo, and Machiavelli. By Bill Marx. King Lear by William Shakespeare. Directed by Michael Grandage. NT Live screens the […]
