The implausibility of The Revenant is jaw-dropping.
Film Review: “The Drop” — A First-Rate Noir Thriller
The Drop‘s characterizations never go beyond hapless noir archetypes, but sharp dialogue, superb performances, and the unpredictable convolutions of the plot keep the viewer on edge.
Film Review: “Locke” — Hell on Wheels
All that WASP self-reliance and fortitude, and I, the Jew, am thinking, “Isn’t anyone getting hungry? Doesn’t anyone want to use the potty?”