Timothy Francis Barry
Doris Salcedo’s mourning for the dead takes material shapes, a menagerie of curious sculptures.
Read More about Visual Arts Review: “Doris Salcedo” — Memorializing the InnocentVisual Arts Book Review: Critic Douglas Crimp — “Before Pictures”
October 18, 2016
Critic Douglas Crimp’s autobiography provides an absorbing, microcosmic look into the early days of the 1970s New York art scene.
Read More about Visual Arts Book Review: Critic Douglas Crimp — “Before Pictures”Visual Arts Review: The Photography of Imogen Cunningham — A Creative Bridge Between Two Worlds
September 22, 2016
As an artist whose photographs bridge the old world and the new, Imogen Cunningham should be a part of the present-day conversation.
Read More about Visual Arts Review: The Photography of Imogen Cunningham — A Creative Bridge Between Two WorldsRecent Posts
Popular Posts
Categories
Archives
Recent Comments
- Mary Sherman on Visual Arts Review: Flux and Form — Calder-Klee and Giacometti-Rothko Dialogues at MFA Boston
- Rob Battles on Jazz Concert Review: Gerald Clayton Trio at the Regattabar — Swing with Soul and Subtlety
- John on Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
- Mary on Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed
- Clark Bouwman on Album Reviews: Latin Flair and Jazz Fire — Edward Simon and Alfredo Rodríguez Redefine the Songbook
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed