Susan Graham
It is unlikely that any other BSO concert this year will top Thursday night’s performance of Richard Strauss’s opera Der Rosenkavalier.
A vital part of Susan Graham’s appeal is her winning personality; she makes a recital hall audience happy to be here before she sings a note.
In an effort to give the proceedings an intimate, salon feel, the Symphony Hall stage was dotted with a couple of potted plants, three armchairs, and a pair of music stands; the cavernous environ of the space was still very much present, but one appreciated the effort to minimize it, even if only partially successful.
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