Steven Soderbergh
Two cheers for monogamy in Steven Soderbergh’s “Black Bag”
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More than the threat posed by the ghost, “Presence” is desperately terrified of ambiguity.
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The film feels amateurish in the most complimentary Stendhalien sense: created in a spirit of play, rather than a sweaty effort to advance a studio agenda.
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Despite some storytelling flaws, Unsane is ultimately suspenseful, terrifying, and rather haunting.
Read MoreDespite its serious script and premise, “Contagion” is somehow able to retain a subtle element of “fun,” an admirable feat for a movie in which scores of people die in nearly every scene.
Read MoreThe beginning of a not-bad fall film season in New England, with some Woody Allen classics, an Iranian melodrama among the youth set, an appearance by a legendary Japanese experimental film maker, and a couple of high-grade action flicks.
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