Steven Maler
The high spirits and tolerance in this enjoyable production reinforce the director’s claim that this comedy is about expats striving for “a more balanced, egalitarian society.”
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This uncomplicated version of Shakespeare’s tragedy comes off as a rousing tale of murder under a starlit Boston sky that obligingly lights Macbeth’s “black and deep desires.”
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Commonwealth Shakespeare Company’s production of Birdy is at its best when it focuses on the play’s central relationships.
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Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
Read MoreFor all of its sound and fury and smoke, the CSC’s version of King Lear is solid rather than surprising or exciting.
Read MoreThere are laughs in this production of Twelfth Night, but the romantic payoffs are scarce, perhaps because the sit-com rhythms tend to swamp all else (including some of the poetry).
Read MoreShakespeare’s “Coriolanus” deals with the difficultly of recognizing superiority at a time of radical social breakdown, specifically when it is democracy that is in extremis.
Read MoreThe likable Commonwealth Shakespeare Company staging leans very heavily on the comedy in ALL’S WELL THAT ENDS WELL, minimizing the Bard’s melancholic undertow.
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Arts Remembrance: In Memoriam — Tom Stoppard