Steve Erickson
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Showing Up offers a much different kind of artist and art scene than we’re used to seeing in film.
Inside‘s visceral demonstration of the alienating capacity of technology and the reduction of art to rich people’s toys may be a bit pat, but the film finds the space within these cliches to stage a compelling human drama.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Rather than coming across as angry or urgent, Iranian director Jafar Panahi’s No Bears feels muted, perhaps even subdued to the point of depression.
One Fine Morning lives up to its sunny title, even if it’s a bit less optimistic than you might expect.
In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
Arts Feature: Best Movies (With Some Disappointments) of 2022
Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
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