Sophie Scholl
Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy