Robert Sheena
Saturday’s performance revealed the BSO to be at the top of its collective game, totally locked in, and fully responsive to Andris Nelsons’ leading.
The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.
The English horn, of course, is no stranger to haunting melodies.

Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy