Richard Bonynge
Edward Loder’s well-crafted Raymond and Agnes (1855) captures much of the eerie glow of its Gothic model, Matthew Lewis’s once scandalous novel, The Monk.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Edward Loder’s well-crafted Raymond and Agnes (1855) captures much of the eerie glow of its Gothic model, Matthew Lewis’s once scandalous novel, The Monk.
Arts Commentary: The Nelsons Case