Raida Adon

Visual Arts Review: “Displaced: Raida Adon’s Strangeness” — The Remains of Home

April 4, 2022
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Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.

Recent Posts

Arts Remembrance: “Shooting Is the Research” — Frederick Wiseman in His Own Words
February 18, 2026
Poetry Review: The Art of Letting Go — Gail Mazur’s “World on a String”
February 18, 2026
Book Review: “The Copywriter” — Of Proust, Pandas, and Poetic Inertia
February 18, 2026
Jazz Album Review: “American Crow” — Maria Schneider’s Urgent Jazz EP Crows Against Big Tech
February 17, 2026
Concert Review: Joy and Virtuosity Meet in “In the Fiddler’s House” at Symphony Hall
February 17, 2026

Popular Posts

Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
November 9, 2024
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025
Theater Review: “John Proctor Is the Villain ” — Critiquing a Classic
March 6, 2024
Rock Concert Review: Neil Young and the Chrome Hearts — Still Restless After All These Years
August 23, 2025
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025

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