Rachel Barton Pine
A three-movement concerto for violin and orchestra, “Dependent Arising” fuses the worlds of heavy metal, punk rock, and 20th-century classical composition into a furious, frenetic, sometimes tortured thirty-minute whole.
Read More about Classical Album Review: “Dependent Arising” — Lots of Sound and FuryChristian Tetzlaff’s brilliant account of Beethoven’s Violin Concerto makes for a great album; Rachel Barton Pine’s versions of Dvorák and Khachaturian violin concertos are songful; orchestrally, Mark Elder and the Hallé Orchestra’s Sigfried is unfailingly colorful and fresh.
Read More about Classical CD Reviews: Christian Tetzlaff plays Beethoven & Sibelius, Rachel Barton Pine takes on Dvorak & Khachaturian, and Wagner’s “Siegfried “Recent Posts
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