Boston Baroque and conductor Martin Pearlman scored another triumph with their semi-staged original version of Gluck’s revolutionary creation, an opera that, to its detriment, has often been revised for performance.
Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more
Boston Baroque and conductor Martin Pearlman scored another triumph with their semi-staged original version of Gluck’s revolutionary creation, an opera that, to its detriment, has often been revised for performance.