Matthew Woods and his actors do not draw on a faux-naturalist performance style, which is so (unfortunately) fashionable in mainstream theater.
Or
Theater Review: The Portrait of a 17th Century Artist as a Young Woman
Liz Duffy Adams’ affectionate look at Aphra Behn’s rise to public prominence, despite prejudice against her gender, comes off as a sort of farcical love letter to an ink-stained ancestor that at times suggests a Shavian talk fest in a minor key.