Nazi
“Unterstadt” is valuable, and not only because it memorably excavates a repressed episode in Croatian history. The novel also has considerable relevance, given the savagery besieging the innocent in today’s conflagrations.
One wonders sometimes whether the weight of acclaim doesn’t place an author beyond critical reproach. The bandwagon effect.
The Survivor examines what happens to someone who made the decision to survive in Auschwitz — no matter how.
What holds this wildly ambitious book together and drives the narrative is Rebecca Donner’s unwavering, partisan voice.
Woman in Gold has novelty going for it — it is a film that depicts a woman’s passionate relationship to a piece of art.
Martin Amis’s fiction, bleak though it often is, paradoxically remains compelling and pleasurable to read because of how well he writes about dreadful things.
Two new documentaries: one a love story about two athletes, the other an attempt to chronicle a small resistance movement among German students against the Nazis.
“Portrait of Wally” makes for a wonderfully engaging documentary about art and postwar intrigue with stakes on both a personal and global scale.
Should we fictionalize the Holocaust? This is not only a literary question, but a moral one as well, issues raised by the publication of the translation of “The Emperor of Lies,” a novel about the ways in which the Jews in the Lodz ghetto struggled to survive the Nazis.
By Harvey Blume Let me tell you why I heartily dislike and contemn Quentin Tarantino’s “The Inglorious Basterds.”
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