Nael Nacer
Overall, this is a satisfying production of a turn-of-the-century play that still underlines enduring economic inequity.
“Leopoldstadt” is one of Tom Stoppard’s most heartfelt and expansive works, its poignant storyline inspired by events in his own life.
A relaxed, humane kindness shines through this staging of Shakespeare’s hymn to reconciliation.
Audiences who are open to a show that provides both riotous comedy and bracing truths will find plenty to think about in this deconstruction of one of the Bard’s most problematic problem plays.
The GSC production of Tiny Beautiful Things supplies a 90-minute catharsis, an opportunity to deal with all we’ve bottled up over the last 15 months or so.
With conformity on the march, Ionesco’s Rhinoceros remains as timely as ever.
The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.
You should see GSC’s The Flick, but be warned that the drama works in spurts and starts
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