musical
In all, Chorus pro Musica’s production was witty and diverting, timely in spots and smart throughout
The talented SpeakEasy Stage ensemble offers enough harmonious pizazz to make up for the musical ‘s erotic fizzle.
The musical is a relentless, one hour and fifty minute excursion into the history of racial bias in America, from the cotton fields to the Civil Rights movement.
Director Paul Daigneault and SpeakEasy Stage have a hit on their hands
You know we have come a long way when, just like everyone else, transsexuals can have their own mediocre musical.
In the theater, sentiment must be earned – Violet is moving and likable, but its pathos is only skin deep.
This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.
A friendly energy runs through the heart of The Road to Where, a tangible and inviting companionship.
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