Michael Fassbender
A frenetic, funny, foul-mouthed, and sometimes facile testament to the fact that language matters.
Among the memorable films at Sundance 2024, a trio of music films led the way.
Terrence Malick attempts to liven up this hackneyed soap/rock opera with his signature swooping camera moves and stunning cinematography.
Steve Jobs is a one-dimensional film about a terminally self-absorbed character.
If Van Gogh had picked up an acoustic guitar, he’d be Frank.
Director Steve McQueen’s skillful exploration of troubled human behavior and his use of New York as a psychological landscape make “Shame” off-putting to watch, while at the same time it draws us in. We have no moral compass beyond our own attitudes to ambiguous contemporary sexual mores.
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