Megan Sandberg-Zakian

Theater Review: Commonwealth Shakespeare Company’s “Much Ado” — “A Giddy Thing”

July 29, 2022
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Shakespeare’s text has been streamlined for easy consumption on a summer’s evening — there’s no intermission, lots of physical comedy, and a party vibe.

Theater Interview: “The New Galileos” — The Price of Freedom

April 30, 2022
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“Plays about climate are notoriously difficult , not only because the science is complex and has become politicized, but also because audiences don’t flock to work that shows us the terrifying realities of our world.”

Theater Interview: “Moonlight Abolitionists” — Graveyard Shift

September 11, 2021
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“In these plays, part of my job is to unflatten history in a way that’s engaging, and also shows us that it’s okay for us to feel overwhelmed and confused and scared by the world — that we’re not so different from the people who came before us. They got through it, and we will, too.”

Theater Review: “The Niceties” — A Gentle Slap Awake?

April 9, 2018
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The Niceties gives us an invaluable opportunity to hover outside of the current political debate about race and American history.

Theater Review: The Remarkable “Royale” — More Than a Sports Story

September 19, 2017
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The Royale launches the Merrimack Repertory Theatre season with a gloriously theatrical punch to the gut.

Theater Review: “Chill” — Millennial Melodrama

March 29, 2017
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Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.

Theater Review: “The Convert” — A Zimbabwean Tragedy

February 6, 2016
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The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.

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