Mary Lou Williams
By J. R. Carroll The academic calendar winds down in May, but jazz in New England just begins the transition to summer in a month packed with tributes and celebrations. Substitute vodka for cachaça and you get a caipiroska; mix three Russians and two South Americans and you get Tridos, an intoxicating twist on Latin…
Read MoreRecent Posts
Theater Review: The Limits of “Wonder”
January 2, 2026
January Short Fuses — Materia Critica
January 2, 2026
Weekly Feature: Poetry at The Arts Fuse
January 1, 2026
Popular Posts
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025
Film Review: “XX”—Horror Anthology, Female Version
March 6, 2017
Categories
Archives
Recent Comments
- hess on Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
- Sandra Wilkinson on Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
- Gabor Andrassy on Jazz Review: Thelonious Monk’s: “Les liaisons dangereuses 1960” – Times Retrieved
- Joan Lancourt on Arts Feature: NightWood at The Mount — A Magical and Deeply Spiritual Experience
- Emily Parker on Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
Jazz Commentary: Four Recent Composer-Driven Jazz Releases — New Wine in New Bottles
Four recent releases illustrate what can happen when the only limits are the imagination of the composer and the passion of the performers.
Read More